By turns evoking the spectral scene of Heinrich von Kleist’s marionette theatre and confronting what Tavia Nyong’o refers to since the “failed humor” from the ceramic figurine’s “racist kitsch,” Organ Player aestheticizes the intertwined partnership in between race, subjectivity, and grace. Given that the doll’s human body composes itself, at https://milopxzde.pointblog.net/detailed-notes-on-organ-player-82402882